Charlamagne Reacts To Nicki Minaj's 'Big Foot' Diss Song and the Line That Went 'Too Far' in Megan Thee Stallion Feud
Charlamagne highlighted the ongoing feud between Nicki Minaj and Megan Thee Stallion, emphasizing that the back-and-forth on social media overshadowed the music. While acknowledging Nicki's decision to rap instead of tweeting, Charlamagne criticized the content of "Big Foot."
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He specifically mentioned Nicki's references to Megan Thee Stallion's deceased mother, expressing discomfort with bringing personal tragedies into the feud.
Charlamagne maintained a mature perspective on the situation, stating he didn't agree with dragging someone's deceased mother into the dispute.
Charlamagne Says Nicki Minaj Went “Too Far” On Megan Thee Stallion Diss “Big Foot:
That ain’t it, Nicki. I don’t know who Nicki got around her, but there’s absolutely no reason that should’ve left the studio. I’m glad Nicki finally decided to rap and not just tweet, but no, that ain’t it. We’re approaching this from a grown level. I don’t see the need to bring in somebody’s deceased mother, but like I said, I can’t say it’s not fair; I’m just speaking from a human perspective. From a human level, I don’t agree with that.”
- Charlamagne Tha God
The feud escalated when Megan Thee Stallion released "Hiss," where she seemingly referenced Nicki Minaj's husband. The mention of "Megan's Law" in the lyrics, which relates to publicly available information about registered s*x offenders, was interpreted by many as a shot at Nicki's spouse. In response, Nicki Minaj released "Big Foot," making explicit allegations against Megan.
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In "Big Foot," Nicki questioned Megan's actions regarding her deceased mother and criticized her emotional display during an interview with Gayle King. The song continued the intense exchange between the two artists, with Nicki using provocative language to address Megan.
The feud between Nicki Minaj and Megan Thee Stallion has attracted significant attention, both for the lyrical content of their diss tracks and the personal nature of the attacks.
Charlamagne's critique focused on the appropriateness of bringing deceased family members into the conflict, maintaining a nuanced perspective amidst the ongoing rap rivalry.